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All
Things by Carol Lane Patterson
Somewhere Century Suncoast 16 Theatres, as one of
the two ‘art film venues here in Las Vegas, is where you can see Nowhere In
Africa, Somehow, make the time…you mustn’t miss this one on the big screen,
as the cinematography is spectacular. This film surprises you, in that you are
oddly comfortable, given the 1930’s circumstances of the Redlich family—fleeing
Germany, encountering further discrimination in their chosen new homeland,
Kenya, and the disheartening struggle to eek out a living as farmers in a fairly
unrelentingly exotic wilderness. Superlative performances allow many poignant
moments and depth to the meager European portion of the community in this
marginal farming district. The film succeeds spectacularly in its quiet
simplicity and ruralistic pacing. Metaphysical Overview The glory years of one
of America’s greatest athletes, Seabiscuit, a horse that was a dramatic, if
unlikely hero to a nation beginning to recover from the devastating, dust-bowl
doldrums created by the economic crash of 1929. What a movie! What a great
story! Amazing that it is mostly true. Artistic license aside, this window on a
time gone by is completely satisfying as a cinema exercise. The horses depicting
Seabiscuit were wonderful, allowing the full development of a horse character in
a movie about a horse! The racing scenes are exhilarating and, at times, so
intense you will be as relieved as everyone else must have been at every race he
was in back in the ‘day. Tobey Maguire (jockey Red Pollard,) Chris Cooper
(trainer Tom Smith) and Jeff Bridges (millionaire Charles Howard) re-enact the
lives of one of the most unlikely sports teams ever, come to fame and glory
during an era in our history indelibly stamped by the Depression. Elizabeth
Banks as Marcella Howard, Howard’s second wife, is the bulwark of the
Seabiscuit phenomenon. The athletic duo itself—Red Pollard’s undaunted
bravado matched that of Seabiscuit’s own indomitable nature and together they
raced onto the front pages of every paper in the country for so many years that
their late 30’s racing audiences numbered in the thousands, equivalent to
today’s Super Bowl events. Ordinary people with an ordinary horse achieve
extraordinary feats; those achievements resonated with the people of their era
because they amplified the moral, cultural and intellectual constructs of a
nation regaining its balance as the nearly engulfing Depression resided. Metaphysical Overview Performance
art and cinematic splendor join forces on the screen, becoming an homage to the
surreal, oddly lit stills of the impressionistic era. Scripted themes abound and
interweave, all allegorically developing this spin on death and dying, possible
afterlife and angelical intervention—and the modern dilemma of eminent domain,
resource management and the demise of many a small and somewhat cohesive
grouping of people called towns—in the name of progress. For Comedy, Lisa
Kudrow and Damon Wayans and Christine Baranski bring their trademark shenanigans
to Marci X, while Jackie Chan returns for more comedic kung-fu fighting in The
A Metaphysical, Spiritual, Holistic Publication | In Light Times | Issue Index |
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